Margaret Livingstone, a professor of neurobiology at Harvard University, discovered that the experiential quality of the painting is achieved through the ways the brain registers luminance rather than color. A recent study of the scene performed by Dr. The techniques utilized still fascinate academics to this day. Soon, legions of art lovers and students took up the revolutionary techniques of Monet. The critic Louis Leroy, in the same review in Le Charivari newspaper that gave the movement's name, Leroy wrote: 'Wallpaper in its embryonic state is more finished than that seascape.' This opinion did not hold sway for long. Describing his reaction to this seminal work, Monet commented: 'Landscape is nothing but an impression, and an instantaneous one. Monet's unorthodox use of loose, vivid, and immensely confident brushwork seems to conjure the scene rather than capture it. Impression Sunrise features a visual reproduction of the harbor of Le Havre in France. With complete freedom in their curatorial selection and a rising tide of infamy from which to publicise themselves, the group quickly became a dominant force in French painting. The group would hold frequent independent exhibitions, which were each referred to as the “Impressionist Exhibition†and numbered, further turning the derisive criticism on its head. The small band of like-minded artists that included Degas, Pissarro and Renoir declared their style Impressionism, and their movement the Impressionists. Gaining instant notoriety, the canvas was derisively described as being "impressionistic" by the art critic Louis Leroy. First exhibited in Paris in 1874, and like no other painting in art history, Monet's Impression Sunrise can be said to have named an entire movement.
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